The recently-collected ceramics in Thanh Hoa museum
Thứ Hai, 27/07/2026
In July 2014, Thanh Hoa museum did collect more than 30 unique, valuable
and rare artifacts in which three ceramics (including two lamp-stands and one incense
burner) date back to Le So period, fifteenth-sixteenth centuries.
The first lamp-stand
17cm in height,
10.5cm in ring pedestal diameter. Cylinder shape, small neck, downward shoulder.
The body is wider at upper part and narrower to the pedestal. The pedestal is
4.2cm in height. The lamp-stand is coasted with blue and white glaze. The
shoulder got decorated with a double-lotus leaf band. The lower part got two
decorative bands. The first band is festoon. The second one is stylized
double-lotus leaf band. The leaf-points face upward. Each leaf got spiral
pattern inside. The foot has stylized lemon flower motif and double lotus-leaf
pattern and the leaf-point facing downward.
The second lamp-stand
15.5cm in
height, 4.4cm in mouth diameter and 7.6cm in ring pedestal diameter, cylinder
shape. The body is wider at upper part and narrower to the pedestal. Edge of
the rim is rounded, short neck, downward shoulder and short pedestal. The
shoulder got decorated with “haft-concentric-cereal
grain” motif. Middle part of the body has “daisy chain” motif. The
pedestal-closed part is decorated with stylized double-lotus leaf band. The
leaf-point face upward. Each leaf got spiral pattern inside.
The incense burner: Being coated with blue and white glaze. 11.7cm in
mouth diameter, 11.7cm in pedestal diameter, 16.5cm in height. Slightly flared rim, the edge of rim is flat. Two
symmetrically-arranged handles are attached to the shoulder and higher than rim.
Spherical body, narrow bottom and flaring pedestal. Both the edge of rim and
neck have blue line. The shoulder got relief lotus-leaf band holding mouth and
neck. The body has “daisy chain” motif. The pedestal-closed part is
decorated with stylized double-lotus leaf band.
These artifacts
are quite unique, holding typical features of Le-Mac ceramics, adding up to the
content of 10 century to middle fifteen century exhibition room in Thanh Hoa
museum. In addition, this is valuable resource for studying Vietnamese
ceramics.
Tran Thi Xuan